
The museum board (board of trustees, board of management, committee of management) is the governing body of a museum. As such, it assumes responsibility for the museum and its collection, which it holds in trust for the present and future community. The board accepts all legal responsibility for the institution, controls its finances, sets policy, and ensures that the purposes for which the museum exists are fulfilled. With functions as important as these, it is vital that the role and responsibilities of the board as a whole, and the obligations of individual trustees, be clearly understood. This paper will point out the characteristics which make for an effective museum board, and will suggest where the board's main responsibilities lie.
There are a number of ways to organize a museum board. The needs of the institution should determine the board's structure. The size of the board will probably reflect the size of the institution it serves and the community in which it is situated. The ideal board would be large enough to represent the community's many different interests, but small enough for its members to work together effectively. It has been observed that too large a board may prove to be awkward or unwieldy. Difficulties may be experienced in securing a quorum for a meeting or in response to an emergency.
The Ontario Municipal Act (R.S.O. 1990, Chap. M45) provides for:
Non-municipal organizations, such as historical societies or other community groups, may wish to consider the advantages of formally (and legally) organizing by means of incorporation. This is normally accomplished through one of the following agencies:
Incorporation will require the applicant organization to identify fully its alms and objectives, qualification for (and classes of) membership, details of terms of membership, activities of members and officers, by-laws, the ultimate disposal of assets in the event of dissolution, and all other additional details that describe what the corporation intends to be, what its activities will include and how it intends to pursue these aims.
The community museum is most frequently operated or administered by an agency that has other interests in addition to the operation of a museum. There may be certain instances where it is preferable to be organized and incorporated as a museum society when the objectives of the organization are specifically directed towards the operation of a museum.
When a new board is being established, membership terms should be allotted for one, two and three years. When the one and two year terms expire, they can be replaced by the standard three-year term. In this way continuity is maintained within the board and a regular pattern of membership turnover is established. This format is used whether the board members are appointed or elected.
A board generally elects officers (chairman, corresponding secretary, and treasurer) for one-year terms at the beginning of each calendar year. These three positions form the executive committee, which has the power to act for the full board between formal meetings. Some museum boards establish standing committees to deal with specific policy areas such as accessions, exhibitions, funding, and so forth. These committees then report back to and advise the board on their specific areas of expertise. Members of the community may serve on these committees along with the museum director and one or two members of the museum board.
The museum director (in some institutions the curator or curator/director) usually holds the position of recording secretary to the board. This is an ex-officio position, however, and he or she would not vote on board decisions.
A museum board with legal status (that is, the board of a museum which is owned by an incorporated agency) should have a constitution and by-laws which clearly describe the purpose and objectives of the museum, as well as the duties and responsibilities of the board, its officers and committees. To perform their duties satisfactorily, all new board members should be given an orientation program and be provided with suitable background information material to assist them in carrying out their duties.
The composition of an effective museum board will reflect the diversity of the community it serves. Board members who represent community groups will bring the talents and knowledge of their associates to the service of the museum. At the same time they can serve as museum spokesmen within their groups. An individual who can envision the broad overall needs of both the museum and the community will be a valuable board member. Representatives from community groups which have provided financial or volunteer support to the museum (historical societies, women's institutes, etc.), might also serve on the museum board.
Membership on a museum board is a position of community responsibility which demands commitment of an individual's time and energy. Persons who see such positions as status symbols or as a means to further their own ambitions have no place on a successful board. For the board to function effectively, members should be strongly urged to attend all meetings. Through his or her active participation in board affairs, each individual member can make a personal contribution towards the betterment of the museum. The effectiveness of a board can be quickly undermined, however, by the dominance of one member or a small clique of members. Board members must work cooperatively with one another, and with the museum director and staff, in defining policies and developing programs for the enrichment of both the museum and the community.
Individually and collectively, the board should demonstrate the following:
The board's main responsibilities include:
The employment of a director is a particularly important task. It is the museum director who is responsible for the day-to-day administration of the institution, in accordance with policies and budget limitations which have been established by the board. It is important that the difference between the function of the board and the role of the director be clearly defined and mutually understood. Otherwise, unnecessary confusion and friction can result. The director's professional expertise in administering museum policies should receive the full support of the board. Any problems encountered by the director in the daily operation of the museum should be brought before the board so that policy changes can be dealt with cooperatively.
The decisions made by the board respecting the museum's priorities and its role within the community take the form of written policy statements. These statements will cover at least the following areas of concern:
Additional policy matters that will require consideration and clarification by the board are:
Policy statements should be in written form and be available to all board members and staff to prevent personal interpretation or individual misunderstanding.
It is the responsibility of the board to secure adequate funding for the operation of the museum and the programs that have been outlined in the policy statements. The board must become familiar with sources of both government and private funding, as well as the procedures necessary for securing this financial support.
Each year the board submits an approved annual budget to the owning agency. The budget delineates specific program requirements and operating expenditures, and provides a review of the year's total expenditures based upon the authorized annual budget and program(s).
A museum board should be familiar with the municipal, provincial and federal laws which could affect the museum. It should actively support any new legislation which could be in the museum's best interests.
A public relations program should be established to assist in fund-raising and audience development activities.
To perform their roles with the best interests of the museum in mind, board members should publicly declare any potential conflict of interest(s).
To ensure the most efficient use of staff, collection, funds and premises, it is important that board members consider memberships for themselves in organizations dedicated to the development and improvement of museums. Such organizations include:
Canadian Museums Association
280 Metcalfe Street, Suite 400
Ottawa, Ontario
K2P IR7
Ontario Museum Association
50 Baldwin Street
Toronto, Ontario
M5R 3P6
The Ontario Historical Society
34 Parkview Avenue
North York, Ontario
M2N 3Y2
Interpretation Canada
Box 2667, PO Station D
Ottawa, Ontario
KIP 5W7
Ontario Association of Art Galleries
489 King Street West, Ste. 306
Toronto, Ontario
M5V IK4
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